Security Features Of A Business Communication And Stealing...

These days, when e-mail has become the main means of personal and business communication and stealing information is what trade secret crimes thrive on the problems of securing email and safeguarding privacy are on everyone’s mind. To secure the emails, there are different types of email cryptography security options that can be implemented with: Lotus Notes Microsoft Outlook Novell GroupWise Pegasus LOTUS NOTES Security features of LOTUS Notes/ Domino Groupware Introduction: Lotus note has been one of the first complete Groupware products to hit the market way back in 1989, and ever since it has continued to dominate groupware market. Developers of Notes realized the importance of Security quite early, and therefore we see many industry Standard Security Features built in Notes over and above Security Features unique to the Notes. Together, they effectively cover many aspects of Security that are of significant importance today. Notes has layered Security model that provides Security features at two broad levels: Application Level - Features available to Notes Application Developers. Administration Level – Features available to Notes System Administrators. This paper aims to discuss the importance of Administration level security features of Notes with a focus on explaining the security they provide, their usage and their Limitations/vulnerabilities. Application level security features are not discussed here because it involves in knowledge of coding and Notes ApplicationShow MoreRelatedInformation Systems And Technology On Business1393 Words   |  6 PagesInformation systems and technology have played a role in the process of commerce, through create infrastructure which depends on workers and physical equipment. Information Technology (IT) is essential to build business environments, there are complex infrastructural requirements face global business strategies. Laudon, K.C and Laudon, J. P. 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Opium In The Gambler, The Nun, And The Radio - 1019 Words

The word â€Å"opium† is utilized several times in this short story. An opium is an addictive, narcotic drug that relieves pain or brings ecstasy. In a figurative sense, it is a way to avoid reality. For some, alcohol allows for just that. For others, it could be music, sexual intercourse, gambling, and many more. In â€Å"The Gambler, the Nun, and the Radio,† the thin Mexican says, â€Å"Religion is the opium of the poor† (Hemingway 478). But, this statement is not necessarily true, which Mr. Frazer soon realizes. Several opiums, or escapes from reality, exists, as this story shows. Although religion is not the universal opium of the people, it helps many escape from reality. Sister Cecilia wants to become a saint, which seems to be her goal in life†¦show more content†¦He refuses to accept the fact that he has to retire from bullfighting until finally, his coleta, which is a symbol of being apart of this industry and figuratively, his manhood, is cut off. He faces reality in the end, just as Cayetano most likely will in the future. Mr. Frazer plays his radio every night while he is at the hospital. Even though his escape from reality is based around an object, it is still his opium. â€Å"But Seattle he came to know very well...He lived in Seattle from two o’clock on, each night, hearing the pieces that all the different people asked for, and it was as real as Minneapolis...Mr. Frazer grew very fond of Seattle, Washington† (480). Mr. Frazer’s radio allows him to travel to different places without having to leave since he is unable to. He learns to listen to his radio â€Å"without thinking† (480). Escape starts to become an addictive thing, just like an opium drug, and it transforms into something that will soon obscure him completely from the real world. In certain parts of this story, opiums are compared with others, which suggests that one’s opium is not always another’s. â€Å"The Mexicans came and brought beer but it was not good beer† (480). At first, it seems that the beer tastes bad. but then Cayetano and Mr. Frazer have a brief discussion about it, saying, â€Å"‘Three of your countrymen were here.’ ‘Sent by the police to see me.’ ‘They brought some beer.’ ‘It was probably bad.’ ‘It was bad’† (482).

A Financial Analysis of G.Wilson Free Essays

Construction is a cyclical business. During economic booms, both individuals and corporations tend to build too much and too quickly. Profit-seeking entities, anxious not to miss out on the economic potential of the boom, push up the demand for both construction materials and labor, which then increases the prices of those variables. We will write a custom essay sample on A Financial Analysis of G.Wilson or any similar topic only for you Order Now In time, and with more and more infrastructure erected, an excess supply develops. When the economy suddenly turns downward, this excess supply, finding no demand, then pushes prices of related industry products downward. G. Wilson and Its Erratic Earnings G.Wilson is an example of a company that finds it hard to produce consistent earnings. In one sense it is inevitable for a company that is completely devoted to the production of construction materials to have cyclical earnings. While it has a solid balance sheet, G.Wilson is simply too vulnerable to the boom and bust cycles of the construction industry to realize stable and lasting profits. However, a certain level of innovation can help insulate the company from these systemic shocks, with one example being Mr. Monroe’s proposal of direct costing. By changing how the company estimated its costs for the production and sale of rebar, Mr. Monroe was in effect bringing a modicum of both clarity and stability into the earnings picture.   With the direct costing method, the price arrived at for the rebar was more precise, in contrast to the old method which used industry-approved, but inaccurately determined fixed costs, including items such as overhead. In this specific instance it was determined that out-of-pocket expenses for a ton of rebar averaged at $406, but fixed costs remained more or less constant, so that profits earned or losses realized depended on the amount of tonnage actually sold and shipped. The proposal to â€Å"add tonnage in the proposed job to the backlog for the month in which it is to be produced† was meant to produce a method by which a more prà ©cis costing could be arrived at, especially in relation to the fixed costs involved. When it came to selling the rebar to the contractors, the more precise costing would allow the company to see immediately which deals were going to produce a profit and which were not, thereby avoiding bad deals in the first place. Without this more precise costing, the company might enter into deals that would make little economic sense, and be saddled with costs that it will in essence pay for in future production.    How to cite A Financial Analysis of G.Wilson, Papers

Confessional poetry Essay Example For Students

Confessional poetry Essay Plashs early poems like Point Shirley and Hard Castle Crags are purely autobiographical in tauter and confessional in character. But her best poems like Daddy, Lady Lazarus have deeper connotations. As Bernstein puts it: They deal with extreme emotional states and sometimes with the theme of individual suffering as inner registration of outward turmoil. One can recognize the experience of the poet in them, whether by internal hints or by clues from their context among other poems, but they often leave the lateral details unspecified, to be supplied by implication or by other writings. Bernstein 50) This method of self-deterioration makes Sylvia Plat something different room other confessional poets. Though she belonged to the same generation and handles the same sort of material as the other Confessionals, her attitude to poetry (only way of surviving for her) and her poetic strategy differ to a great extent from theirs. Two important features keep her apart from them. A poet moving between the two sides of the Atlantic, keenly responding to the broader social, political and cultural framework of her time, she is unable to keep her interest centered narrowly on herself. Secondly being influenced by American and European traditions of poetry, re sense of self-hood differs essentially from the day-to-day identity of the poet as a person as he / she is projected in confessional poetry. The difference in poetic strategy can be best exemplified by contrasting poems by the Confessionals and by Plat on the same subject. The Confessionals and Plat share a common history of mental breakdown and treatment. This is a theme they all have dealt with in their poems. The difference in treatment is clearly observed while comparing other Confessional poems on the subject with Plashs Poem for a birthday. While Confessional poetry depends mainly on the factual biographical details that help to project the true self in alienation, Plashs Poem for a birthday is a spiritual biography that delineates the poets quest for a whole self. In Plashs poem about her hospitalizing after a mental breakdown, the external landscape of the hospital is exchanged for the enclosed arena of the tortured mind. We move into a world of pure being not subordinated to its spatially and temporally bound surroundings. The struggle for a pure UN-fragmented self-hood takes place on a deeper psychic level, he poetic mind regressing into a preconscious state and ultimately finding new life through death in the final section of the poem The Stones: Ten figures shape a bowl for shadow My feelings itch. There is nothing to do I shall be good as new. (Plat, Collected Poems 137). As Ted Hughes tells us, The Stones can be read as Plashs self-recovery in a mental hospital where she underwent electroshock therapy. The clinical or surgical imagery widely employed in the poem suggests the process of regeneration and self-renewal. The l is essentially different from the temporally and socially delineated personality f the Confessionals self. Like Robert Lowell and John Ferryman, Anne Sexton treats the theme in The Double Image. She adheres to facts. She gives a close and careful account of her hospitalizing during her breakdown. She gives a detailed analysis of her past history, trying to go to the roots of her problem with the precision of a coolly analytical probing of the self, peculiar to her age. Plashs later poems, on the other hand, convey the sense that the future is foreclosed, that no substantial change can be occasioned by experience and that only rebirth or transcendence of re poetry are similarly determined by her mythic system. Personal and historical details as well are subordinate to it. While a Confessional poet might alter certain details to make them more fitting in the spirit of Aristotle observation that poetry is truer than history, Plashs alteration of details has a deeper significance. Her protagonist in Daddy says, l was ten when they buried you. But Plat was only eight when her father died. A magical one year in every ten cycle, however, conveys her state of being. It is precisely such details of Confessional literalness that Plat most frequently alters or eliminates. Neither Lowell nor Sexton writes poems in the cyclical orderliness, for they do not have the kind of vision to which such considerations are relevant. The details in confessional poems stand on their own, frequently unified only to the extent that they occur within a single consciousness. .u761a88015b1c2eab7b3e46ac0441c9d4 , .u761a88015b1c2eab7b3e46ac0441c9d4 .postImageUrl , .u761a88015b1c2eab7b3e46ac0441c9d4 .centered-text-area { min-height: 80px; position: relative; } .u761a88015b1c2eab7b3e46ac0441c9d4 , .u761a88015b1c2eab7b3e46ac0441c9d4:hover , .u761a88015b1c2eab7b3e46ac0441c9d4:visited , .u761a88015b1c2eab7b3e46ac0441c9d4:active { border:0!important; } .u761a88015b1c2eab7b3e46ac0441c9d4 .clearfix:after { content: ""; display: table; clear: both; } .u761a88015b1c2eab7b3e46ac0441c9d4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u761a88015b1c2eab7b3e46ac0441c9d4:active , .u761a88015b1c2eab7b3e46ac0441c9d4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u761a88015b1c2eab7b3e46ac0441c9d4 .centered-text-area { width: 100%; position: relative ; } .u761a88015b1c2eab7b3e46ac0441c9d4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u761a88015b1c2eab7b3e46ac0441c9d4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u761a88015b1c2eab7b3e46ac0441c9d4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u761a88015b1c2eab7b3e46ac0441c9d4:hover .ctaButton { background-color: #34495E!important; } .u761a88015b1c2eab7b3e46ac0441c9d4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u761a88015b1c2eab7b3e46ac0441c9d4 .u761a88015b1c2eab7b3e46ac0441c9d4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u761a88015b1c2eab7b3e46ac0441c9d4:after { content: ""; display: block; clear: both; } READ: 'The Sun Rising' by John Donne and 'To His Coy Mistress' by Andrew Marvell EssayBut in Plashs poetry every detail is connected with and intimates her entire vision. To a reader unaware of this unity, Sylvia Plashs poetry bears more or less the significance in our daily life, in which virtually every image in late poems participates. Without this awareness, the elements of suffering, violence, death, and decay will nearly be seen as aspects of a self-indulgent stance that is merely, albeit brilliantly, nasty, morbid, and decadent, the extremist exhibitionism. Was she a Confessional poet this might be the case. But Plashs poetry is of a different order and these details are absorbed into a broader system of concerns. Sylvia Plashs imagination rises to such a prolific surge of images that renders it possible for her to give an objectively and universal appeal to her personal and subjective experiences. What is very particular about Sylvia Plashs poetry is her ability to transform her autobiographical details and personal experiences artistically into a kind of deterioration where she acts out her existence in the guise of various personae and their encounters with the others. Most of Plashs poetic experience is nothing but a traumatized version of her personal experience. The abundant use of autobiographical material can be viewed as a creation of her own personal mythology through which she defines herself in a series of postures either by way of identification with the society or by claiming an ambivalent and an antithetical relationship with the society. She externalities her mental status, the sense of blackness and loss, her apprehensions, her alienation and isolation through identifications with the world of nature. The world of nature becomes symbolic of Plashs ceaseless struggle against the hostile forces. It contains the dark outlines o mythology, historical and biblical characters play their part. In this world, the yew tree stands blackly. Her father, a German, also figures darkly, often referred to persons and to concentration camps. All these provide the reserve from which Sly Plat draws the imagery, symbols, and references for her poetry. The prominent poems of Plat are autobiographical; they describe her personal experiences and personal relationships. For example, the poem Daddy written in 1962 refers to he fathers affection for her. Sylvia Plat is more successful than other confessional poets of her time. Plashs work shows extraordinary sense of urgency to convey to t reader to the feelings of her sick mind which we do not find in other confessional writers. Plashs life is her work and her work is her life. Plashs poems are uninhibited free from moral, literary and social constraints, which are part of an outworn system She sheds the smug attitude of her contemporaries, and comes out boldly.